7/27/2023 0 Comments Close to me just shapes and beats![]() But now, ANOHNI has returned with a Johnsons crew that looks different than it did last decade and a soundscape that is relenting and gorgeously subdued. What a gift Swanlights was for listeners. ANOHNI’s feather-light, weathered and wayfaring vocal runs crackled and pierced through a haze of soft, sure-fire arrangements. There’s a genuine appreciation and affinity for tones and thematics that encapsulate a vast sonic landscape. A track like “I’m In Love” implemented textures reminiscent of Van Dyke Parks’ Song Cycle, while the piano ballad “The Spirit Was Gone” evoked a cadence and passion akin to Let It Be Me-era Nina Simone. Inspired by the work of Björk, ANOHNI was able to forge experimental R&B with pop architecture. That project, Swanlights, was a magnificent feat in storytelling, in which ANOHNI and her cohort spoke of ghosts and death and love with delicacy and streamlined vividness. It’s been a long time since English singer/songwriter ANOHNI made an album with her band, the Johnsons 13 years, to be exact. ![]()
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